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WITNESS The plot is afoot, though
nothing obvious observed. It's not right, she said, tight-lipped, standing
in the queue for tickets. Turn left at the end of the building. Dreams would
arrive and not be dealt with on an immediate basis. Don't assume the trick
is to wake with a start in the middle of the night. Red rimmed eyes, suddenly
old, the plot not what he thought it was. He could have taken a different
road, but the resulting fragment would not of necessity been any further away
from scissored nerves. I know it's only longing that makes you turn away. INSINUATINGLY Not the smell of sour milk makes
you want to vomit. Pursue another line, without direction, without worrying
about gun-toting or otherwise. The grey-haired man in the secondhand bookshop
you suddenly recognise as your dead father, outfaced by what is now even at
this late moment pulling you back into the street and the late afternoon
crowd. This is a city you've avoided visiting until now. EYES OF GOLD I wondered what was before me,
what behind, the knock-on effect, perhaps, of judging it to be a fight to end
knowledge - the biting of my tongue could be just that. Another way to say
that we are bloated with rotten ideas, ideas which at the time, I, for one,
was incapable of abandoning. It was all to do with counting one's thumbs and
fingers over and over. But the cool opening into the bare forest. To return
to that for a moment. The land we had never seen before. The soft eyes of
animals trusting. Once a question of time, now a question of the planet
inhabited. The green spark was all together of a one. When the seeking of
dirt was ours, that was another dimension. Not caring who found us. RECOUNT The first green. Crows squawk
away from treetops. In the river, a replica of the branches we walk under,
but colder, without colour. A dog wanders, indifferent to rain. You question
that 'finally' once more, the husk of our lives swept away by one casual
encounter too many. Wine on the terrace. I've been dreading the moment, too
terrified to turn, but they are all smiling, glad to see us. What has changed
is hardly
perceptible. The work is ours.
© Ian Seed |